I’m Going To Read Three Poems

Before I read this first poem I should tell you that my paternal grandfather had a gold pocket watch with a lid over the watch’s face. In his later years he could not remember how to raise the lid so he’d simply take the watch out of his vest pocket, look at the gold lid, then put the watch back into his vest pocket and say, “It’s time was going.” Then he would sit down at the supper table. What I’m suggesting is, he was a kind of a poet.

I got the idea for this second poem when I happened to recall listening to my grandmother read “The Cremation of Sam McGee” from an old book that she hid on a top shelf in her pantry. Now and then, while reading, she would glance lovingly at her husband. One day I climbed up the pantry shelves and peeked into the hidden book. It wasn’t a book of poems; it was a book of recipes. What I’m suggesting is, my grandmother was a kind of a poet.

I should mention that this third and last poem is about poetry, though poetry is nowhere mentioned in the poem. Prairie graveyards are marked by an obvious sense of line and stress and line ending. What is surprising is the custom of inserting new granite blocks, along with unverified information, into spaces in lines that appear to be complete. I feel this surprise especially when I see my own name on a pair of weathered stones.
Robert Kroetsch is a poet, novelist, and essayist. His latest book, The Snowbird Poems, will be released this fall. He has won the Governor General's Award for his fiction and was nominated for his poetry in 2001.

1 comment(s)

Unni Krishnan AtiyodiAugust 29, 2008 06:04 EST

The first poem reveals absurd thinking where an old man enjoys the glitter of the gold instead of time. Ever in perennial dream, this man is least bothered about time. Very ego centric, he has glossed thinking and he turned out to be timeless. Definitely we prefer to be like him having ageless existence.
The second poem gives the message of a real life wherein the recipe is relevant, more relevant than the poem itself. An excellent cook entices all and the product of the reader who enjoys the recipe book may also be reasonably relishing.
Weathered stones mark the poet with an engraved inscription. His craving to move along the weather with all the ups and downs make him an embodiment of Nature. Stone after stone, an edifice is being built and if one or two pulled out with the name of the poet on it is the prank of Nature.
A poet at the rudimentary stage with a lot of promising imagination. Writes U.K.Atiyodi, Kandangali, Kerala, India

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