Regret

“Grabbing you on the steps of the New York Public Library...”

I’d like to take back my not saying to you
those things that, out of politeness, or caution,
I kept to myself. And, if I may —
though this might perhaps stretch the rules —I’d like
to take back your not saying some of the things
that you never said, like “I love you” and “Won’t you
come home with me,” or telling me, which
you in fact never did, perhaps in the newly
refurbished café at the Vancouver Art
Gallery as fresh drops of the downpour from which
we’d sought shelter glinted in your hair like jewels,
or windshields of cars as seen from a plane
that has just taken off or is just coming in
for a landing, when the sun is at just the right angle,
that try as you might, you could not imagine
a life without me. The passionate spark
that would have flared up in your eye as you said this —
if you had said this —I dream of it often.
I won’t take those back, those dreams, though I would,
if I could, take back your not kissing me, openly,
extravagantly, not caring who saw,
or those looks of anonymous animal longing
you’d throw everyone else in the room. I’d like
to retract my retracting, just before I grabbed you,
my grabbing you on the steps of the New York
Public Library (our failure to visit
which I would also like to recall)
and shouting for all to hear, “You, you
and only you!” Yes, I’d like to take back
my not frightening the pigeons that day with my wild
protestations of uncontrolled love, my not scaring
them off into orbit, frantic and mad,
even as I now sit alone, frantic and mad,
racing to unread the book of our love
before you can finish unwriting it.

Troy Jollimore followed his debut poetry collection, Tom Thomson in Purgatory, with a chapbook, The Solipsist, in November 2008.

5 comment(s)

Mary Albino November 18, 2008 10:42 EST

How can I tell Troy Jollimore what a totally necessary poem that is? First thought was: not one reader will not see themselves somewhere in those lines. It's an everyreader picece of work— which is no easy feat. Thanks also for making it available online: saved me writing it out in order to circulate widely.
Respectfully, gratefully,
Mary

Loulou ZokDecember 02, 2008 00:19 EST

Troy Jollimore has touched my heart with this poem. It has such lovely imagery. All in all it's an amazing read.
PS: I printed it and framed it and am going to give it as a gift to my husband this weekend. A gift from Troy Jollimore :-) I know it's maybe more of a sad poem since it's about regret & obviously I married my boyfriend, but I'm giving it as a present for its beauty. He'd appreciate such art.
Thanks. Sorry for the long comment.

Holly DeWolfFebruary 17, 2009 20:19 EST

I read this poem while sitting in a waiting room at a hospital. I was there for 8 hours. I couldn't stop reading it. Everytime I read it I saw a new image in my head. It went deeper.By the time I left I fell in love with it. It was perfect! It touched a real side of me that I think needed to read this. Thank you!

Dan VoMay 11, 2009 20:10 EST

wow, this was one amazing poem. I stumbled upon this site and I'm really glad I did.

alisonJuly 08, 2012 21:38 EST

It's for me, as good to read the poem as to read the comment from someone who read it in a hospital -and was there for 8 hours...I'm humbled, on both accounts.
And since the poem want to take back stuff that doesn't belong to 'it', it fills me with joy to be able to do the opposite- I'll take the hospital read, rejoice in it, as my own, then return it to the writers.


This 'taking it back' is something I've been pondering lately, and really wanting to write about. I mean, who hasn't, in the wild unleashed way the poem does, at some point, wanted to? I particularly enjoy the long run-on midsection, which does such fine characterization. And finally, I just discovered this poet today. That's marvellous.


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