Because it’s a film that so crucially relies on carefully developing its story, and playing out its various startling revelations with measured restraint, it’s tricky to talk about John Kastner’s Life With Murder without exposing its secrets. (Indeed, we’ve been explicitly urged by the producers and Kastner himself to check any impulse to do so.) But it’s no spoiler to say that the triple Emmy Award–winning Canadian filmmaker has produced what will likely emerge as one of the most talked–about documentaries to screen at this year’s Canadian International Documentary Film Festival, better known as Hot Docs.
Co-produced by the CTV, NFB, and Kastner’s own production company, Life With Murder tells an exceptional story that’s made all the more improbable by virtue of its verity. In January 1998, the town of Chatham, Ontario became the unlikely site of a murder, when eighteen-year-old high schooler Jennifer Jenkins was gunned down in her family home. Just as her traumatized parents were coming to terms with their daughter’s death, local police zeroed in on their prime suspect: Jennifer’s twenty-year-old brother, Mason.
Though Mason asserted his innocence, he was eventually convicted of first-degree murder, and is now serving a life sentence at a medium-security correctional institute nearly 500 kilometres from the scene of the crime. Determined to keep what family they have left intact, Brian and Leslie Jenkins remain in close contact with their son, frequently visiting him in prison, exchanging jokes and birthday gifts. Life With Murder is at once a gripping small-town murder mystery and an agonizing portrait of parents’ grief, which only deepens as the film unfolds.
Again, to say too much about Life With Murder is to effectively ruin it. But with its premiere at Hot Docs this weekend to be followed by an airing on CTV (date TBA), as well as other robust (though also undisclosed) distribution deals in North America, it is a film that demands to be seen and, afterward, seriously talked about.
Walrusmagazine.com spoke with Kastner about how he discovered Mason’s case, and the manner in which his film’s story revealed itself. (more…)